{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,6,19]],"date-time":"2025-06-19T05:03:25Z","timestamp":1750309405450,"version":"3.41.0"},"publisher-location":"New York, NY, USA","reference-count":36,"publisher":"ACM","license":[{"start":{"date-parts":[[2024,9,18]],"date-time":"2024-09-18T00:00:00Z","timestamp":1726617600000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by\/4.0\/"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2024,9,18]]},"DOI":"10.1145\/3678299.3678347","type":"proceedings-article","created":{"date-parts":[[2024,9,11]],"date-time":"2024-09-11T16:26:19Z","timestamp":1726071979000},"page":"468-478","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":0,"title":["Locality and Digital Musical Instruments Design: A User Study"],"prefix":"10.1145","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-8686-1308","authenticated-orcid":false,"given":"Iurii","family":"Kuzmin","sequence":"first","affiliation":[{"name":"The Hong Kong University of Science and Technology, Hong Kong"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-3149-5598","authenticated-orcid":false,"given":"Zhengyang","family":"Ma","sequence":"additional","affiliation":[{"name":"The Hong Kong University of Science and Technology, Hong Kong"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-9725-6584","authenticated-orcid":false,"given":"Raul","family":"Masu","sequence":"additional","affiliation":[{"name":"Computational Media And Arts, The Hong Kong University of Science and Technology (Guangzhou), China"}]}],"member":"320","published-online":{"date-parts":[[2024,9,18]]},"reference":[{"volume-title":"Electroacoustic Music in East Asia","author":"Battier Marc","key":"e_1_3_2_1_1_1","unstructured":"Marc Battier and Kenneth Fields. 2020. Electroacoustic Music in East Asia. Routledge."},{"key":"e_1_3_2_1_2_1","doi-asserted-by":"publisher","DOI":"10.1017\/S135577182200053X"},{"key":"e_1_3_2_1_3_1","volume-title":"NIME\u201920","author":"Bryan-Kinns Nick","year":"2020","unstructured":"Nick Bryan-Kinns and Zijin Li. 2020. ReImagining: cross-cultural co-creation of a Chinese traditional musical instrument with digital technologies. In NIME\u201920 (2020), 1\u20136."},{"key":"e_1_3_2_1_4_1","volume-title":"On Digital Platforms and AI for Music in the UK and China. In International Conference on New Interfaces for Musical Expression (NIME)","author":"Bryan-Kinns Nick","year":"2020","unstructured":"Nick Bryan-Kinns, Zijin Li, and Xiaohua Sun. 2020. On Digital Platforms and AI for Music in the UK and China. In International Conference on New Interfaces for Musical Expression (NIME), Birmingham, UK."},{"key":"e_1_3_2_1_5_1","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771822000279"},{"volume-title":"The Routledge research companion to electronic music: Reaching out with technology","author":"Emmerson Simon","key":"e_1_3_2_1_6_1","unstructured":"Simon Emmerson. 2018. The Routledge research companion to electronic music: Reaching out with technology. Routledge."},{"key":"e_1_3_2_1_7_1","volume-title":"Toward Understanding Human-Computer Interaction In Composing The Instrument. (03","author":"Fiebrink Rebecca","year":"2012","unstructured":"Rebecca Fiebrink, Dan Trueman, Cameron Britt, Michelle Nagai, Konrad Kaczmarek, Michael Early, Mr Daniel, Anne Hege, and Perry Cook. 2012. Toward Understanding Human-Computer Interaction In Composing The Instrument. (03 2012)."},{"key":"e_1_3_2_1_8_1","volume-title":"Style and constraint in electronic musical instruments. (01","author":"Gurevich Michael","year":"2010","unstructured":"Michael Gurevich, Paul Stapleton, and Adnan Marquez-Borbon. 2010. Style and constraint in electronic musical instruments. (01 2010)."},{"key":"e_1_3_2_1_9_1","unstructured":"Echo Ho Alberto de Campo and Hannes Hoelzl. 2019. The SlowQin: An Interdisciplinary Approach to Reinventing the Guqin.. In NIME. 256\u2013259."},{"key":"e_1_3_2_1_10_1","volume-title":"Natural Relativism: Viveiros de Castro\u2019s Perspectivism and Multinaturalism","author":"Holbraad Martin","year":"2017","unstructured":"Martin Holbraad and Morten\u00a0Axel Pedersen. 2017. Natural Relativism: Viveiros de Castro\u2019s Perspectivism and Multinaturalism. Cambridge University Press, 157\u2013198."},{"key":"e_1_3_2_1_11_1","unstructured":"Yuk Hui. 2019. The question concerning technology in China: An essay in cosmotechnics. Vol.\u00a03. mit Press."},{"key":"e_1_3_2_1_12_1","doi-asserted-by":"crossref","unstructured":"Yuk Hui. 2019. Recursivity and contingency. Rowman & Littlefield.","DOI":"10.5771\/9781786600547"},{"volume-title":"Art and cosmotechnics","author":"Hui Yuk","key":"e_1_3_2_1_13_1","unstructured":"Yuk Hui. 2021. Art and cosmotechnics. U of Minnesota Press."},{"key":"e_1_3_2_1_14_1","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771822000280"},{"key":"e_1_3_2_1_15_1","doi-asserted-by":"publisher","DOI":"10.5281\/zenodo.1177819"},{"key":"e_1_3_2_1_16_1","volume-title":"Proceedings of the International Conference on New Interfaces for Musical Expression (PREPRINT).","author":"Kuzmin Iurii","year":"2024","unstructured":"Iurii Kuzmin, Zhengyang Ma, and Adnan\u00a0Raul Masu. 2024. Toward Musical Cosmotechnics: A Case of Zhu Nao. In Proceedings of the International Conference on New Interfaces for Musical Expression (PREPRINT)."},{"key":"e_1_3_2_1_17_1","volume-title":"Cultural retention in contemporary Chinese electroacoustic music","author":"Landy Leigh","year":"2018","unstructured":"Leigh Landy. 2018. Cultural retention in contemporary Chinese electroacoustic music. The Routledge Research Companion to Electronic Music: Reaching out with Technology (2018), 77."},{"key":"e_1_3_2_1_18_1","doi-asserted-by":"publisher","DOI":"10.1177\/0162243915590861"},{"volume-title":"Sonic writing: technologies of material, symbolic, and signal inscriptions","author":"Magnusson Thor","key":"e_1_3_2_1_19_1","unstructured":"Thor Magnusson. 2019. Sonic writing: technologies of material, symbolic, and signal inscriptions. Bloomsbury Publishing USA."},{"key":"e_1_3_2_1_20_1","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771822000516"},{"key":"e_1_3_2_1_21_1","doi-asserted-by":"publisher","DOI":"10.5281\/zenodo.4813438"},{"key":"e_1_3_2_1_22_1","doi-asserted-by":"publisher","DOI":"10.1177\/1525822X02239569"},{"key":"e_1_3_2_1_23_1","doi-asserted-by":"publisher","DOI":"10.5281\/zenodo.6352756"},{"key":"e_1_3_2_1_24_1","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771819000475"},{"key":"e_1_3_2_1_25_1","unstructured":"Will\u00a0WW Tang Stephen\u00a0CF Chan Grace Ngai and Hong\u00a0Va Leong. 2013. Computer Assisted Melo-rhythmic Generation of Traditional Chinese Music from Ink Brush Calligraphy.. In NIME. 84\u201389."},{"key":"e_1_3_2_1_26_1","volume-title":"NIME","author":"Tragtenberg Jo\u00e3o","year":"2021","unstructured":"Jo\u00e3o Tragtenberg, Gabriel Albuquerque, and Filipe Calegario. 2021. Gambiarra and techno-vernacular creativity in nime research. In NIME 2021. PubPub."},{"key":"e_1_3_2_1_27_1","unstructured":"Konstantinos Vasilakos. 2024. Sonification of Guqin Performance: For Laptop Ensemble and Live Coding. In Digital Technologies Applied to Music Research."},{"key":"e_1_3_2_1_28_1","doi-asserted-by":"publisher","DOI":"10.5281\/zenodo.6350619"},{"key":"e_1_3_2_1_29_1","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771820000242"},{"volume-title":"Half Sound","author":"Wang Jing","key":"e_1_3_2_1_30_1","unstructured":"Jing Wang. 2021. Half Sound, Half Philosophy: Aesthetics, Politics, and History of China\u2019s Sound Art. Bloomsbury Publishing USA."},{"key":"e_1_3_2_1_31_1","volume-title":"Today and Yesterday: Two Case Studies of China\u2019s NIME Community. In NIME","author":"Wu Jiayue\u00a0Cecilia","year":"2022","unstructured":"Jiayue\u00a0Cecilia Wu. 2022. Today and Yesterday: Two Case Studies of China\u2019s NIME Community. In NIME 2022. PubPub."},{"key":"e_1_3_2_1_32_1","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771822000504"},{"key":"e_1_3_2_1_33_1","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771822000474"},{"key":"e_1_3_2_1_34_1","doi-asserted-by":"publisher","DOI":"10.5281\/zenodo.1178993"},{"key":"e_1_3_2_1_35_1","doi-asserted-by":"crossref","unstructured":"Xiaofu Zhang. 2018. The Power of Arterial Language in Constructing a Musical Vocabulary of One\u2019s Own: Inheriting the Inspiration and Gene of Innovation in Electroacoustic Music from Chinese Culture. Contemporary music review 37 1-2 (2018) 126\u2013134.","DOI":"10.1080\/07494467.2018.1453346"},{"volume-title":"Waves and forms: electronic music devices and computer encodings in China","author":"Zimmermann Basile","key":"e_1_3_2_1_36_1","unstructured":"Basile Zimmermann. 2015. Waves and forms: electronic music devices and computer encodings in China. MIT Press."}],"event":{"name":"AM '24: Audio Mostly 2024 - Explorations in Sonic Cultures","acronym":"AM '24","location":"Milan Italy"},"container-title":["Audio Mostly 2024 - Explorations in Sonic Cultures"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3678299.3678347","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"}],"deposited":{"date-parts":[[2025,6,19]],"date-time":"2025-06-19T00:58:00Z","timestamp":1750294680000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3678299.3678347"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2024,9,18]]},"references-count":36,"alternative-id":["10.1145\/3678299.3678347","10.1145\/3678299"],"URL":"https:\/\/doi.org\/10.1145\/3678299.3678347","relation":{},"subject":[],"published":{"date-parts":[[2024,9,18]]},"assertion":[{"value":"2024-09-18","order":3,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}